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We
want to reduce the strong shadows cast by the noon sunlight. We
don't need to treat all the shadows in the picture, just focus on
the main theme.
The
picture has an overall greenish-yellowish hue, and it could do well
with a bit of contrast increase.
Choose
the Levels layer mask on the Layers palette, and,
on the appearing dialog, make the midtones lighter. Focus on the
shadowed areas of the main theme. Reach a proper lightness for these
areas, don't mind any other parts burning out. In this example,
we have set the Lightness value for the midtones to 154.
When you're done, set the general effect mode from Normal
to Luminosity, and merge the layers by clicking Layer/Flatten
Image. Now you have an overlighted picture, but you'll only
need the shadowed parts of it.
Now
click the camera icon at the bottom of the History palette
to take a snapshot of the photo's current status. It appears
as Snapshot 1 at the top of the History palette. Click
the empty icon space on its left to display the icon you can see
in the illustration. Now you have set this snapshot as the reference
image for History Brush. By default, this would have been
the original image (the one above it). Finally, click the upper
picture to set everything back to the original state.
Now
click History Brush on the Tools palette (or press
Y). This brush restores the painted areas to the state they
were in the reference image. Choose a moderately large, soft brush
that isn't too large to paint over the main theme's details with.
For delicate work, choose a size of 10-25 pixels.
Now start to paint over the shadowy parts of the main theme and
see how they lighten up.


You can see the difference on the right side of the dog.
Take
care! Applying this method in excess will ruin the verisimilitude
of the photo. Leave shadows on the objects as this gives them spatiality.
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