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Although
the little boy in the picture doesn't really need facial smoothing,
he was a willing and grateful model, and thus we can illustrate
nicely that the following actions can be used efficiently for almost
any kind of portrait.

Click
Layer/Duplicate Layer to duplicate the initial layer. Click
Filter/Noise/Dust&Scratches to soften the image. Set
Radius between 3 to 10 as needed. The aim is
to make the facial skin as soft as possible, but take care! Leave
Threshold at 0. If you want a really smooth skin, just like
on overly touched-up magazine covers, you can apply an additional
Gaussian Blur or Smart Blur. In this step, the details
apart from the face are not important so it doesn't matter if the
eyes or the hair also gets blurred. In the following steps, these
details will be reset to their original condition while keeping
the skin smooth.

Now,
set the Opacity of the layers to a lower value, so that the
original state of the picture comes through better and you can also
see something of the skin's structure. Blur makes the skin look
to unnatural, so you will want to keep the original state visible,
too. All in all, blur should dominate the effect so you should set
Opacity at 60 to 70%. If you want a lesser smoothing,
use an even lower value.
Next, create a layer mask with the icon below.
Te
next steps are largely similar to those in our last description
about using a layer mask. Press E to select the Eraser
tool. Leave the default options (Brush, 100%, 100%) unchanged.
Choose a middle-sized brush (or rather, an eraser) with a soft edge.
You can erase holes into the upper layer so that the lower layer
gets visible underneath. This way you create a kind of a mask for
the layers.
Use the eraser on the areas containing details- the distinctive
parts of the face, but leave untouched the larger skin areas that
you wish to keep smooth. Thus, the parts you will want to erase
are hair, eyebrows, the occasional beard and mustache, eyes, eyelashes,
mouth, nostrils, ears, etc. Once again, use style and common sense.
These steps are difficult because you have to rely on your creativity.
If there is visible clothing in the picture, erase it through, too,
as the textile doesn't look very good when blurred. You can see
that by the painting (erasing), these areas regain their original
state while skin remains smooth. You may want to change the brush
size during the erasing work. For larger areas you can use a larger
brush but be sure to choose a small one for tinier parts that require
attention.
If you have messed up something (e.g. by erasing an area you shouldn't
have), press B to select a Brush tool, select a similar-sized
brush and paint the changes back.

If
you have finished erasing and repainting, click Layer/Flatten
Image to merge the layers, and save your photo afterwards

Related free tutorials:
Smoothing out faces II.
Gaze enhancement
Facial skin color
More Photoshop Tutorials
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